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A New Austin Burlesque Show for Book Lovers and Art Enthusiasts

Once upon a time (2013-2014) I was a cast reader, later turned producer, of Naked Girls Reading in Austin. It was a local branch of a national show, now called the Bare Book Club, created by Miss Exotic World 2005, Michelle L’amour. The Austin show eventually turned into Stripped Storytelling and was continued by some wonderful burlesque friends for a while after I left.

This production was so special. If you went to any of them, you know. I LOVED this show because I got to bring stories and authors that were important to me to my audience. And when I produced, I got to create a space for other performers I loved to do the same.

Naked Girls Reading Austin, Austin theatre, The Galactic Salon: Prologue, Austin Burlesque, Austin Literary Events, Austin Writers, Austin Poetry, Austin Dance, Kick Butt Coffee, Austin Entertainment

But it was a hard show to do in Texas. Because of TABC rules, we couldn’t do this show in any of our regular burlesque venues. Why? Because Naked really meant NAKED. No pasties or g-strings. We were reading IN THE NUDE. Exactly like the show name says.

A nude show and alcohol sales can’t go together, per the Texas Alcoholic Beverage Commission. So none of our performance venues that have bars could host our show. Venues that had a bar in a separate space, or community theatres were harder to book and harder on our budget.

We were lucky to land a long-term space at the Salvage Vanguard Theatre when they had the building on Manor Rd. After that Stripped Storytelling had a few shows at Sky Candy Aerial Arts, and I seem to remember that they had one in a local comic book store? Don’t quote me on that.

Since the last show was at the end of 2019, I’m sure the pandemic was a big factor in the show going dark, and one of the producers has moved away since then too. So it’s unclear if this show will come back at some point.

Facebook has been teasing me for years with NGR memories! And I have been trying to reconcile this feeling of unfinished business I have surrounding it. I’ve had a show idea brewing for a while that captures some of what I loved about NGR (the book lovers, the body positivity, the performance art of it all), but moving it more into the burlesque space, and including local writers, poets, artists, and musicians in the mix.

The Galactic Salon: Prologue, Austin Burlesque, Austin Literary Events, Austin Writers, Austin Poetry, Austin Dance, Kick Butt Coffee, Austin Entertainment

And so… The Galactic Salon is going to keep the spirit of Naked Girls Reading alive. It’s not completely what NGR was, but it will fill the void that was left when the show stopped, at least for me.

The Prologue is Thursday, August 10th at Kick Butt Coffee. Doors open at 7:30pm. Browse the tables of books, photo prints, and more by the performers. Visit the bar for both coffee shop mainstays and craft cocktails. Mingle and find your seats. Show starts at 8:30pm. 18+ only.
There will be burlesque based on books, art, politics, and poetry and some of the performers are doing readings that complement their acts. Performances by Bobby Barnaby, Kitty Von Quim, Folly Parton, Jojo Jezebel, Hibiscus Bloom, Stormy September, Ruby Lamb, and Gemmi Galactic.

There will be music!!! Cigarettes et Queue, members of of Mr. Lewis and the Funeral 5, are creating a jazzy new arrangement just for this show to get us in that underground artist nightclub mood.
Featured local writer and artist, Ricardo Acevedo, reading from his new book and selling prints.

There will be a somewhat unclothed (pasties and g-strings) reading by some of the original Austin NGR cast as well!

I really hope you come and see what we’ve been working on. It’s going to be a treat.

Reserve your seats for The Galactic Salon: Prologue before presales close!

How to Apply to Burlesque Festivals

With so many wonder Burlesque festivals happening all around the world, and at every time of year, it’s ALWAYS festival season. Here are some not so serious tips on applying.

Step 1) Select your best act.
No, not that one. That bra doesn’t fit anymore and I’m not sure I can replace, re-fringe, and re-rhinestone it before the submission deadline. What about this one? Not upbeat enough. That one? Not… BIG enough. Why are all my acts crap?

Step 2) Get a good video.
The only video I have of this act is from the very first time I performed it two years ago. Why don’t I have a video of it from ANY other show it was in? Can I get it on stage before the deadline? No? Let’s clean the living room and pray to Dixie it makes a good enough “stage.”

Step 3) Fill out the application.
Shit, where is the updated version of my bio? I have too much junk on my computer.

Step 4) Pay the application fee.
I will just eat ramen this week.

Step 5) Wait for the email.
Refresh. When did I start biting my nails again? Refresh. F*ck. Refresh.

Step 6) Make your Social Media announcement.
OMG I GOT IN!!!!! / I got my rejection email 🙁 Excuse me while I take a break from Facebook for a few days to eat my feelings. Send tacos.

Step 7) Repeat.
OoOoOoh! Look at that new shiny festival over there! I HAVE to apply!

***

Both a highlight and a curse of any burlesque performer’s life are the festivals. It seems like every city has one, or three, and performers from all over the world are applying for those coveted 40-ish spots.

Getting accepted means the chance to perform for a new audience and expand your fanbase, and impressing and connecting with performers and producers from other cities and expanding your bookings. Hopefully. And then there are the titles. Winning a title instantly gets you a contract with Swarovski, Southwest Airlines, and Dom Perignon and you are off to live the glamourous showbiz life! *Slow blink, blank stare* Wait, is that not how this works?

Festival spots and titles are a symbol of the hard work we put into our art. Blood, sweat, tears, and a trail of rejection emails tend to come first, though, and still after. Does the hard work stop if you win a title? No. Does the hard work stop if you DON’T win a title or if you get a rejection letter? Please don’t let it. Hundreds of stunning performers get refused from each festival. You’re in good company.

Festivals are great and have their benefits, but they are not more important than the work you do at home. Your local scene, your troupe, and your loyal audience are noble places to set your focus. Now, go fix that bra so it’s ready for the next submission round.

-Gemmi Galactic
Co-Producer, Texas Burlesque Festival